Like most of my “adventures” and what I can only refer to as side-trackings (as in “I got side-tracked”, or, more accurately, “I side-tracked myself”), the decision to go to Arles in July was made at the very last minute. I’d made the trip to Provence the day before, and when I got there, my brother, his wife, and her best friend who happens to be a photographer, were floating the idea around. So I jumped on the opportunity.
Just for the record, I had just decided at the very last moment to hitch a ride on my dad’s quick trip to Toulouse from Valle d’Aosta and back, to go visit my brother and his newborn in Aix-en-Provence (for those who aren’t familiar with Mediterranean geography, Aix is kind of halfway), so yeah, spontaneity is my game, I’m not a planner, and that’s also why I’ve grown accustomed to traveling solo, most people like to know what’s coming, and it can grow uncomfortable on both sides.
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Anyways, from these few hours (half of which I spent roaming around on my own because of the point I just made), I brought back a few frames, and a few thoughts.
It’s a portrait I got on the central square.
There were a few guys set up with Afghan boxes making portraits, and I chose someone who seemed friendly, and he was awesome.
He was working directly on 4×5 paper, for the negative and the positive, and then making contact prints from the paper. The reason for this was because it keeps costs low, still gives consistent results, and makes his process simple (always the same chemicals and the same developing times). I’m not going to lie, I’ve been wanting to give his paper process a try ever since, but I haven’t made it to the darkroom since the summer. I’m also going to confess that there’s a box living in our attic I’ve been thinking of converting into an afghan box after this experience.
Also, the photographer I approached was also awesome because he’s the founder of a large format camera manufacturer based in France: Fasquel Cameras. He built his own afghan box, thanks also to his know-how with building cameras.
So it was all win, I walked away with a portrait of myself I did not make, IN PRINT, wearing one of my signature cameras around my neck (he told me to keep it, thought it added much to the image and the story, and he was right). And I had a fantastic conversation with him – by the way his name is Raphaël Goutte and you can find him on instagram @felix_marcel. We talked cameras, large format, processes and other geekeries, and met on our shared love of Sally Mann (whom he met last year in Arles, she was curious, unassuming and he showed how he worked).
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